جمالية التوازي في شعر نزار قباني

Abstract

Nizar Qabbani is a very famous poet just as Mutanabi did in his time, and in spite of what has been written about it, the Arab library still need to work in more and more seriousness in terms of reading that gives a poet like him what he deserves of critic value; his poetic language hide a lot of deep connotations and symbols, away from the deceptive clarity . Writing for Nizar Qabbani a pleased adventure which need more than one work is huge, it may be a great opportunity, So must come into modern critic methods to shed some light on the shadows of the creative experience at this great poet . Several factors have combined to push us towards this scientific experiment, and which are summarized in the following reasons: 1 There are a lot of books which were written by the poet himself, but that was not accompanied by an active critic at the same level in terms of academic studies that were supposed to keep pace with the march of cash poet at this level ; so that most of what has been written about it no more than praise or mug, away from any true critic debate. 2 We can not ignore a significant phenomenon in the poetry of Nizar Qabbani , that could be seen clearly through most of his poetry, this phenomenon is " parallelism " , which is clearly reflected in the poetry of Nizar through many stylistic forms, most notably property " repetition ", which is to take this phenomenon through its frequency statistically in all Tafiila poems he wrote. 3 We desired to approach poetic texts through modern procedures by turning to the stylistic mark into semiotic one; it means to use two approach in order to shpw the aesthetic aspects of the phenomenon being studied , which was important motive to carry on this study. 4 The attempt to reduce the differences between rhetorics and stylistics to take advantage of these two sciences was an important motive in the direction of this critical behavior,