dc.description.abstract |
El imtaa w el Mouaanassa is a book includes three parts
containing forty nights spent by al-Tawhidi at the congregation of
Minister Abi Abdullah al-Ardah. Every night, al- Tawhidi thinks that
he will answer all the questions posed by the minister , these
questions are manifested in a group of diverse knowledge . al –
Tawhidi answer all the questions knowingly . The speaker has an
encyclopedic knowledge of various political, social, cultural,
philosophical, linguistic, and even man-made ,divine sects and
religions.
El imtaa w el Mouaanassa is an artistic discourse that has the
components of narration, from a time reflected by Layali el Samar,
which emit the fragrance and magic of the Abbasid era, or rather the
Abbasid culture and civilization, as those nights touched the culture
of foreign people synchronized with the era, or ancient times that Al-
Tawhidi teaches about their culture and philosophy and narrates
about their science , so the latter responds and admires the words of
the speaker and ends the night, hoping to meet him another night to
introduce him to sciences and knowledge, and every night he is
carried by longing and he seeks for more culture and knowledge to
increase more than the knowledge of the narrator.
The narration about al-Tawhidi bears an intellectual and
cognitive aspect that has no limits, as his culture extends through the
ages, and this is evident through the human issues raised that he
excelled in his monotheistic approach within the Samaria Council
that coincided with the prosperous era that appears at the height of
its development in the field of its knowledge and sciences. That
deliberative dialogue took an intellectual and cultural path between
the speaker and the recipient, and its purpose was to influence the
discourse, and to accomplish speech acts according to verbal and
deliberative communication between the parties to the dialogue.The narrative discourse according to this deliberative study
introduces us to the ways of deliberation in terms of El imtaa w El
Mouaanassa by way of understanding, pilgrims, narration and
dialogue, also rhetorical images of simile and metaphor, all of this
interesting rhetorical statement we see breaking into the folds of the
samar in the areas of speech that enjoy the recipient, and even
changing his thoughts, ,and his admiration for the extent of the
genius of the speaker and his unlimited culture, because it touched
on all aspects of life and human, social and cultural thought that was
teeming with the era...
The deliberative mechanisms in the discourse of El imtaa w el
Mouaanasa were embodied through that speech between the
creator within a communicative context that was possessed by an
enjoyable night-time Samari time, and how closely it is related to the
reference space of the place. Linguistic reference and denotations
were the focus of the pragmatic aspect of speech. Not to mention the
strategy of influencing the addressee, including the contents of the
saying and the intent of the speech that are known and discerned
through presupposition and dialogic imperative, and the extent of
the recipient's response to the activation and completion of the
verbal act. Within the framework of the poplar as an important factor
in the narration process of the creator, and as a deliberative
technique that contributed greatly to showing the milestones of
knowledge and sciences of the age in a communicative, dialogic
context in which the principle of cooperation had a great role in
establishing knowledge, and the continuation of discourse to achieve
the effect of influencing the recipient to activate and accomplish the
required speech. |
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