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dc.contributor.author |
كریبع, نسیمة |
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dc.date.accessioned |
2021-05-09T11:01:59Z |
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dc.date.available |
2021-05-09T11:01:59Z |
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dc.date.issued |
2015 |
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dc.identifier.uri |
http://dspace.univ-batna.dz/xmlui/handle/123456789/1102 |
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dc.description.abstract |
Literature is one of the fine arts like painting, sculpture, music, dance and
photography; it has in common with them the invention of beautiful pictures
which has aestitic impact in the soul.
It is very worth mentioning in this context that literature is distinguished from
other arts by its ability to excellence and the hosting of arts in many of its genres
which is not available in other arts.
The trilogy of - of Ahlem Mustaghanmi-(Dhakiret al Jeced /Fawda
lhawass/Abir Sareer )is the most important feature models which hase been
widened to host within it three arts: Drawing , poetry, music and this diversity is
the forefront of principle motives in selecting this code and work on it.
There are other motives for choosing this subject marked by “The Insertion of
Arts in the trilogy of - of Ahlem Mustaghanmi- we mention some of them:
- Such a topic hasn’t been mentioned before; it focuses upon the insertion
of art in the genres of literature.
- The personal attention to the writing of novels by Algerian women in
particular novels of Ahlem Mustaghanmi which attracts the most
number of the recipients and critics.
- Affiliation of the novel or the code to the contemporary literature’s world
and openness to momentum of knowledge which needs endless cash
readings.
- The discussion of this subject has been vested inter questions for
dismantlement , and thus access to solutions or results among the
problems from which the research starts are the following:
*- Is there any link which relates literature to Drawing, poetry and music?
* -To what extent succeeded- Ahlem Mustaghanmi -to include in her novels
artistic pictures, poetry couplets and other stanzas of the lyrics?
* -What was the overlap between the art of “Drawing, poetry and music” to
narrative language?
* -In the light of this artistic presence in the trilogy ,does each art maintained
its privacy and advantages?
This research tried to answer all these questions through its presentation of
the four chapters provided with answers to the above questions according to
the following plan: - Introduction:
It maintained the prelude to the research’s subject by mentioning the
belonging of literature to the circle of arts and its ability to excellence and
hosting it in many of its genres.
The introduction contained and provided motivations to select a theme of arts
(Drawing Drawing, poetry, and music) and their relationship to literature and
the reason for selecting the code “Dhakiret al Jeced- fawda lhawass-abir
sareer ” then chapters with their content, by indicating the approaches
followed in the research and the most important sources and references
approved, finally the difficulties encountered in the research.
1. Chapter one:
It is a theoretical representation in which we address to the definition and
classifications of art (simultaneous classification, Suryo classification and Grin
classification), And highlighted the historical stages of civilization and for the
arts and is the stage arts of ancient civilizations / stage and Islamic Arts and
Christianity, and modern and contemporary art schools stage.
Then we discussed the overlap of arts used in The trilogy with literature
through providing:
- The overlap of Painting Art and photography with literature through the
entrance to the art of painting and its elements, then we identified the link
between Portraiture and literature.
- The overlap of poetry with literature by providing a definition of poetry
and its divisions in order to determine the relationship between poetry and
literature.
- The overlap of music with literature by providing a definition to music
with the characterisation of the musical sound and its elements ،and then
determine the link between music and literature.
2. Chapter two:
It is entitled “The Insertion of Portraiture in the trilogy of( Ahlem
Mustaghanmi). It is a practical chapter. It includes two separate
applications, the theoretical part about reading and analysing photography
by describing the letter and Iconique approach and semiotic approach.
The practical part includes reading Pictures used in the novels through three
investigations and analyse them basing on:
*- Section (study) I:
It included semiotic analysis of -Khaled Ben Toubal- Paintings
*- Section II: It included semiotic analysis of - zi ane- Paintings
*- Section III:
It included semiotic analysis the Photo of Khaled journalist .
3. Chapter three:
It is marked by “The Insertion of Poetry and music in the The trilogy”
and divided into two sections. In the first We introduced concepts about
Poetry hair and Poetry with the language Analysis of all sections of Poetry
Employee in the trilogy.
then we considered the theoretical side of the types of Algerian music,
Andalusian music’s trip from Orient to Maghreb with the definition of
Algerian “Nouba = rotation of music” , and its elements. The other part
singled out the analysis of the stanzas of the lyrics inserted in the novels.
Finally, I hope that this research has responded to inter questions raised in
the introduction, and I hope it will be a new platform of scientific research in the
field of overlapping arts and their dialogue. |
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dc.publisher |
UB1 |
fr_FR |
dc.subject |
الفن |
fr_FR |
dc.subject |
الأدب |
fr_FR |
dc.subject |
الحوارية |
fr_FR |
dc.subject |
التناص |
fr_FR |
dc.subject |
التصوير |
fr_FR |
dc.subject |
الصورة |
fr_FR |
dc.subject |
الشعر |
fr_FR |
dc.subject |
الموسيقى |
fr_FR |
dc.subject |
الرواية |
fr_FR |
dc.subject |
توظیف الفنون |
fr_FR |
dc.subject |
أحلام مستغانمي |
fr_FR |
dc.subject |
رواية أحلام مستغانمي: ذاكرة الجسد |
fr_FR |
dc.subject |
رواية أحلام مستغانمي: فوضى الحواس |
fr_FR |
dc.subject |
رواية أحلام مستغانمي: عابر سریر |
fr_FR |
dc.title |
توظیف الفنون في ثلاثیة أحلام مستغانمي (ذاكرة الجسد/ فوضى الحواس/ عابر سریر) |
fr_FR |
dc.type |
Thesis |
fr_FR |
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