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dc.contributor.author |
مردف, سعد |
|
dc.date.accessioned |
2021-04-12T14:09:08Z |
|
dc.date.available |
2021-04-12T14:09:08Z |
|
dc.date.issued |
2015 |
|
dc.identifier.uri |
http://dspace.univ-batna.dz/xmlui/handle/123456789/1000 |
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dc.description.abstract |
The thesis had studied the poetic matter in its artistic ‚ and its
vision presence inside the poetical test‚ in which it sets out to a
research its manifestation in collection of poems‚ of the Yemeni poet
Abdullah El baraddoni through the use of its techniques for the
language structure in its beauty purpose and in its provocative
influential renotness‚ as an ideological mean for poetical practice.
The importance of my research lies in its prelude to the poetry ‚and
its implications and comprises‚ four chapters as far as the first chapter
is concerned ,it deals with the poetic locution and its close relation to
esthetics and ideology .as for the second chapter ,it focuses not only on
the poetic structure conceived by Abdullah el baraddouni but on his
locution strategies .the third chapter is devoted to the poetic exposition
and the mirrors of imagination .the last chapter gives free reigns to
The research comes in an introduction ‚for the subject and four
chapters. The first one displayed the poetic and its concepts, the
second for the poetical text in its open relationship on the beauty
and ideology. Whereas, the third chapter had shown a practical way
for the beauty sides for the poetic text for Baraddoni .while the last
chapter had devoted on self to the poetic in the ideological text to
explain its message and the poetic sign posts in it. the search reachs that contradiction issue between poem and
ideology is an artificial and fabricated conflict and that each of them is
supplement to the other and the poet's text had got a great share from
the poetic wich understanding its artistic testing of the beauty stand
and ideological and thoughtful situation which we recommend to
undertaking the Yemeni poet for studding and for not separate in the
poetic search between the beauty structure and the thoughtful
context for the text because both of them is an initial component for
this text. |
fr_FR |
dc.publisher |
UB1 |
fr_FR |
dc.subject |
الشعرية |
fr_FR |
dc.subject |
الخطاب |
fr_FR |
dc.subject |
شعرية الخطاب |
fr_FR |
dc.subject |
الجمالية |
fr_FR |
dc.subject |
الأيديولوجيا |
fr_FR |
dc.subject |
العنونة |
fr_FR |
dc.subject |
التصدير |
fr_FR |
dc.subject |
المطالع |
fr_FR |
dc.subject |
الإيقاع |
fr_FR |
dc.subject |
التناص |
fr_FR |
dc.subject |
الإنزياح |
fr_FR |
dc.subject |
المتخيل |
fr_FR |
dc.subject |
الخيال |
fr_FR |
dc.subject |
الصورة الشعرية |
fr_FR |
dc.subject |
الرمز |
fr_FR |
dc.subject |
الأدلجة |
fr_FR |
dc.subject |
الرسالة |
fr_FR |
dc.subject |
عبد الله البردوني |
fr_FR |
dc.subject |
دیوان عبد الله البردوني |
fr_FR |
dc.title |
شعرية الخطاب الجمالي و الأيديولوجي في ديوان عبد الله البردوني |
fr_FR |
dc.type |
Thesis |
fr_FR |
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