تداولية الخطاب السردي

Abstract

El imtaa w el Mouaanassa is a book includes three parts containing forty nights spent by al-Tawhidi at the congregation of Minister Abi Abdullah al-Ardah. Every night, al- Tawhidi thinks that he will answer all the questions posed by the minister , these questions are manifested in a group of diverse knowledge . al – Tawhidi answer all the questions knowingly . The speaker has an encyclopedic knowledge of various political, social, cultural, philosophical, linguistic, and even man-made ,divine sects and religions. El imtaa w el Mouaanassa is an artistic discourse that has the components of narration, from a time reflected by Layali el Samar, which emit the fragrance and magic of the Abbasid era, or rather the Abbasid culture and civilization, as those nights touched the culture of foreign people synchronized with the era, or ancient times that Al- Tawhidi teaches about their culture and philosophy and narrates about their science , so the latter responds and admires the words of the speaker and ends the night, hoping to meet him another night to introduce him to sciences and knowledge, and every night he is carried by longing and he seeks for more culture and knowledge to increase more than the knowledge of the narrator. The narration about al-Tawhidi bears an intellectual and cognitive aspect that has no limits, as his culture extends through the ages, and this is evident through the human issues raised that he excelled in his monotheistic approach within the Samaria Council that coincided with the prosperous era that appears at the height of its development in the field of its knowledge and sciences. That deliberative dialogue took an intellectual and cultural path between the speaker and the recipient, and its purpose was to influence the discourse, and to accomplish speech acts according to verbal and deliberative communication between the parties to the dialogue.The narrative discourse according to this deliberative study introduces us to the ways of deliberation in terms of El imtaa w El Mouaanassa by way of understanding, pilgrims, narration and dialogue, also rhetorical images of simile and metaphor, all of this interesting rhetorical statement we see breaking into the folds of the samar in the areas of speech that enjoy the recipient, and even changing his thoughts, ,and his admiration for the extent of the genius of the speaker and his unlimited culture, because it touched on all aspects of life and human, social and cultural thought that was teeming with the era... The deliberative mechanisms in the discourse of El imtaa w el Mouaanasa were embodied through that speech between the creator within a communicative context that was possessed by an enjoyable night-time Samari time, and how closely it is related to the reference space of the place. Linguistic reference and denotations were the focus of the pragmatic aspect of speech. Not to mention the strategy of influencing the addressee, including the contents of the saying and the intent of the speech that are known and discerned through presupposition and dialogic imperative, and the extent of the recipient's response to the activation and completion of the verbal act. Within the framework of the poplar as an important factor in the narration process of the creator, and as a deliberative technique that contributed greatly to showing the milestones of knowledge and sciences of the age in a communicative, dialogic context in which the principle of cooperation had a great role in establishing knowledge, and the continuation of discourse to achieve the effect of influencing the recipient to activate and accomplish the required speech.